A Study on Environmental Design Method based on Open Narrative Structure - A Case of Designing of Arirang Culture Park -

열린 내러티브 구조를 이용한 환경설계 방법 연구 - 용산 아리랑 문화공원을 설계사례로 -

  • 이상경 (동심원 조경설계사무소) ;
  • 조경진 (서울시립대학교 건축도시조경학부)
  • Published : 2003.06.01

Abstract

The purpose of this study is to look for an environmental design method based on open narrative structure, and to promote various experiences and interpretations of space through user's engagements. That is to say, the designer does not lead specific events through separate Boning but using the continuous open composition users are provided with margins for their imaginations. Spatial formulation through open narrative structure gives us various thoughts and it plays an important role in making a sequential space. Like an abstract painting, it is a complex story making or arranging a montage of images containing stories that elicit the reader's engagement through diverse interpretations. Like this, open composition exists in an ambiguous state and it is possible to interpret unfinished‘evolving work’within it. Utilizing open narrative structure, this study attempts to apply the idea of sequencing and open composition in the case of designing Arirang Culture Park. Open composition should induce various engagements by users and could be a medium which organically connects nature, culture and people. The spatial strategies of‘ambiguity’ and‘transparency’are like a bundle of complex and heterogeneous factors. Finally, the study focuses on the ‘integration’of the main ideas that compose multilayered space. ‘Voidness’and‘thickening’are also used for spatial strategies in open narrative structure. As alternative plans for undecided programs of the space, the voidness can be a strategic design program with flexibility about changes of futures. Also, thickening can be a strategic design program for functional reinforcement of the space, for the dramatic effects and for the generation of incidental events. Although both voidness and thickening seem paradoxical, we can see they are similar in the way that both focus on various spatial uses and by how they do not function as one-to-one correspondence, but as multiple correspondences. Therefore, open narrative structure is possible to apply in designing space and it can be an alternative design strategy for inducing multiple interpretations of space.

Keywords

References

  1. 대한건축학회 v.21 no.12 서사이론에서 나타나는 시간과 공간의 표현체계와 건축의 시공간개념과의 상관성 연구 강혁진
  2. 영화에서의 몽타주 이론 김용수
  3. 서울대학교 대학원 박사학위 논문 조경공간의 이미지 형성에 관한 연구 오경환
  4. 영남대학교 석사학위논문 영화의 시각적 구조와 표현기법의 응용을 통한 연속적 경관의 설계방법에 관한 연구 우대준
  5. 대한건축학회 v.19 no.2 영화의 화면구성기법과 내러티브의 건축적 적용을 통한 공간구성에 관한 연구 이종규
  6. Lawrence Halprin: Changing Places The How of Creativity : Scores & Scoring Burns,J.;Halprin, Lawewnce(ed.)
  7. Story and Discourse: Narrative Structure in Fiction and Film;영화와 소설의 서사구조 Chatman,S.;김경수(역)
  8. The Open Work;열린 예술작폼:카오스모스의 시학 Eco,U.;조형준(역)
  9. Landscape Narratives Potteiger,M.;J.Puriton
  10. The Manhattan Transcripts Tschumi,B.
  11. Architecture and Disjuction;건축과 해체 Tschumi,B.;류호창(역);서정역(역)
  12. Complexity and Contradiction in Architecture;건축의 복합성과 대립성 Venturi,R.;임창복(역)
  13. Recovering Landscape Programing The Urban Space Wall,A.;Corner, James(ed.)