A Photomontage Expression and an Effect in Fashion Illustration

패션일러스트레이션에서의 포토몽타주 표현방법과 효과

  • Kwon Ji-Young (Dept. of Clothing & Textiles, Kyungpook National University) ;
  • Yoo Young-Sun (Dept. of Clothing & Textiles, Kyunghee University)
  • Published : 2004.12.01

Abstract

The purpose of this study is to develop a photomontage expression in order to express a characteristic personality and creativity of artists of effectively in fashion illustration. The results of this study were as follows : 1) Because of a fashion and a human body were the major subjects in fashion illustration, human body transformation and composition between a human body and heterogeneous objects by photomontage appeared with a lot of works. 2) Photomontage appeared with a parody in a truth recurrence differ from a visual art, a parody seemed to be a humor with recurrence image of the original and it appeared with the general public image and it is effective in message delivery. 3) It was a stopped screen. but photomontage was expressed through overlapping and reiteration was characteristic, and it appeared with movement. a direction, a speed and rhythm effectively. 4) One screen of general chapter was only to express limited meaning, but after screen of a lot of chapter, it was able to express that was borrowed and reconstructive with a lot of contents or different contents are more than before. 5) It is changed, and composited images have a multiple point of time, and it extend a space-time limit, visual limit and an expression enabled a multidimensional space-time. Moreover, photomontage neglects unique sincerity and fact of a photo by development and utilization of computer graphic. and it can get a screen effect to spread in the virtual world as abstraction and hyper-reality. Therefore, if various photomontage expression apply to fashion illustration works, it can overcome a limit of a visual expression. and it is able to become an important way for expanding a filed of expression and enhancement of a practical function gradually in fashion illustration

Keywords

References

  1. 美術世界(1998). p. 150
  2. Ades Dawn. 박주석 역 (1989). 포토몽타즈. 서울: 해뜸. p. 20
  3. Ades Dawn. 박주석 역 (1989). 포토몽타즈. 서울: 해뜸. p. 95
  4. Osbone. Harold. 한국미술연구소 역 (2001). The oxford companion to 20th-century art. 서울 : 시공사. p. 574
  5. Ades Dawn. 박주석 역 (1989). 포토몽타즈. 서울: 해뜸. p. 21
  6. 신현숙 (1992). 초현실주의. 서울: 동아출판사, p. 108
  7. 靑木正夫, 오근재 편역 (1990), 회화: 디자인 표현기법. 서울: 미진사. 1990, p. 131
  8. 이재민 (1985). 입체주의의 오브제에 있어 콜라주 기법에 대한 연구. 동국대학교 대학원 석사학위논문, p. 331
  9. 김선 (2000). 포토몽타주 이미지가 표현된 1990년대 의상에 관한 연구 -티셔츠 디자인을 중심으로-. 숙명여자대학교 대학원 석사학위논문. p. 21
  10. Alexandrian, Sarane. 이대일 역 (1990). 초현실주의미술. 서울: 열화당. p. 5
  11. Ades Dawn, 박주석 역 (1989). 포토몽타즈. 서울: 해뜸. p. 164
  12. 유태수 (1987) 팝아트(POP ART) 의 表現과 特性에 關한 硏究 -오브제, 해프닝, 사진을 중심으로-. 홍익대학교 대학원 석사학위논문, p. 6
  13. Walker. John A.. 장선영 역 (1998). 매스미디어와 미술 서울. 시각과 언어, p. 64
  14. 문혜경 (1996). POP ART경향과 패션 일러스트레이션의 표현 기법에 관한 연구 -콜라주(Collage)기법을 중심으로-. 숙명여자대학교 대학원 석사학위논문, p. 49
  15. 오복식 (1999). 컴퓨터그래픽을 이용한 일러스트레이션 표현 연구. 강릉대학교 대학원 석사학위논문. p. 9
  16. 허은, 안지영, 박성훈 (2001). 멀티미디어와 예술. 고양: 한국학술정보, p. 85