Indian Traditional Clothing in Fashion Design of the 21st Century

2000년 이후 패션디자인에 나타난 인도 전통 복식

  • Choi, Ho-Jeong (Dept. of Clothing & Textiles, Seoul National University)
  • Published : 2006.12.29

Abstract

In this study, I have analyzed Indian traditional clothing in fashion design of 21st century by comparing 1,286 fashion items designed by Indian designers and 722 Western fashion items, which were presented from 2000 S/S to 2005 F/W Formal analysis were made for change in how to wear clothes, and change in items and ornaments. Change of traditional clothing was found in two ways; Western elements added to Indian tradition and Indian traditional image adopted in Western clothing. First, Indian traditional elements added to Western clothing in the formal aspect was found in 83% of Western collections and 27.2% of the Indian designers' collections. In Indian designers' collections, traditional clothing form takes 72.8%, which shows the regional characteristics of India where the traditional clothing is still adhered to in daily life especially by women. Second, from the fashion design of the Indian designers, we can find modernization of sari, change of traditional items into more active and modern way by adding Western clothing; change of form, color and material of traditional items in various ways; and decorative aspects highlighted by adding Indian traditional color, pattern or decoration into Western clothing. In most cases, Western collections are seasoned with Indian traditional image, rather than utilizing the form of Indian clothing. Although adopting the farm of Indian traditional clothing, it can be considered as a translation from the viewpoint of the West. Third, Indian look is expressed in various ways by reproducing Indian traditional ornaments such as earings, bracelets and henna, or by adopting Indian traditional fabric design and decoration in mufflers, bags and etc.

Keywords

References

  1. 이영철 엮음, 백한올 외 옮김 (1999). 21세기 문화미리보기, 시각과 언어, p. 506
  2. 김민자 (1990). 한국 패션의 고유디자인에 대한 발전적 모색. 산업디자인 110, Vol.21, p. 25
  3. Jose Teunissen (2005), Global Fashion/Local Tradition, Terra, pp. 47-51
  4. 황춘섭 (1995). 세계전통복식. 수학사, pp. 104-105
  5. 전영주 (1995). 현대 패션에 나타난 인도 민속풍에 관한 연구. 홍익대학교 대학원. p. 14
  6. 전영주 (1995). 현대 패션에 나타난 인도 민속풍에 관한 연구. 홍익대학교 대학원, p. 11
  7. 전영주 (1995). 현대 패션에 나타난 인도 민속풍에 관한 연구. 홍익대학교 대학원, p. 11-12
  8. 유태순 외 공저 (2006). 세계 민속의상의 이해. 신정, p. 247
  9. Francess Kenett (1994). World Dress, Reed International Books Limited, p. 143
  10. 홍나영 (2004). 앞의 책, p. 247
  11. 홍나영 (2004). 앞의 책, p. 125
  12. 홍나영.신혜성.최지희 (2004). 아시아 전통복식. 교문사, p. 127
  13. 전영주 (1995). 현대 패션에 나타난 인도 민속풍에 관한 연구. 홍익대학교 대학원, pp. 27-30
  14. 사리, http://www.firstview.com/04FW Sabysachi Mulherjee 춀리, http://www.firstview.com/02SS Jatin Kochaar 가그라, http://www.firstview.com/01FW AnandJon 쿠르다, http://www.firstview.com/03SS Anant 장신구, http://www.firstview.com/03SS Ashis
  15. 하수정 (2004). 현대 패션에 나타난 오리엔탈이미지 비교 분석. 홍익대학교 대학원, p. 51
  16. 하수정 (2004). 현대 패션에 나타난 오리엔탈이미지 비교 분석. 홍익대학교 대학원, p. 66
  17. 사리, http://www.firstview.com/02FW Etro 춀리, http://www.firstview.com/00SS Mattew Williamson 가그라, http://www.firstview.com/01SS Etro 쿠르다, http://www.firstview.com/00SS Etro 장신구, http://www.firstview.com/02SS Bluemarine