A Study on Social, Economic and Cultural Features of Luxury Brand Consumption -Focused on the Theory of Baudrillard's Consumer Society-

명품브랜드 소비의 사회 경제 문화적 특성에 관한 연구 -보드리야르의 소비사회이론을 중심으로-

  • Received : 2006.01.19
  • Published : 2006.04.30

Abstract

The purpose of this study was to analyze social, economic and cultural phenomena of the luxury brand in the viewpoint that the consumption system of the modern society stood for the sign consumption and the industrial production of difference as Baudrillard mentioned in the Consumer Society. The result was divided into the two subjects popularization and differentiation of luxury brand. Firstly the meaning of luxury brand was that the personal effects of consumption of king or aristocratic class who did not exist in the modern and were made into the selection and consumption-possible things of exchange value. The popularization of this sign was accelerated through TV drama. Secondly as differentiation strategy of luxury brand, was made by giving meaning to the life style concept of the upper class with advertisement and design, and also the logo of design was used as sign differentiated from people. Also the reason why the producer of the luxury brand gave meaning to such life style was that the awareness of the brand which people have consistently makes them consume more products. The consumption system of the modern society stood for the sign consumption, difference sign mark value which was the desire on a social meaning basis, not the consumption of things as used value. And the consumer could express his personality by selecting and consuming the product of luxury brand model made with this sign. Accordingly the distribution, purchase, sales and acquisition of the things with this difference sign were our verbal activity and linguistic code today, and it was the essential feature of the society, culture and economy of the consumer society.

Keywords

References

  1. 강현주 . 김상규 . 김희량 . 박해천 . 오창섭 . 이병종 . 이정혜 . 조현선 . 최성민 . 허보윤 (2004) '열두 줄의 20세기 디자인사, 허보윤편. 나는 쇼핑한다, 고로 존재한다'. 디자인하우스. 서울, pp.195-196
  2. 김대영 (2004) '명품마케팅'. 미래의 창, 서울, 서문, p.125
  3. 김성혁 (1998) '현대사회와 여가'. 형설출판사, 서울, pp.257-258
  4. 김영민 (1987) '자본 I-I'. 이론과 실천, 서울, p.47
  5. 매일경제 (2005) 유럽은 '패스트패션' 열풍. 7. 4
  6. 박주하 (1995) 상품기호로서 광고의 특성에 내포된 상품논리와 문화적 합의에 관한 연구. 성균관대학교 대학원 박사학위논문
  7. 백과사전부 (2003) '두산동아백과사전'. 동아출판사, 서울
  8. 서울신문 (2004) 명품은 비싸다- 편견을 버려. 11. 17
  9. 양건열 (2003) '소비 나는 소비한다, 고로 존재한다'. 시공사, 서울
  10. 원용진 (1996) '대중문화의 패러다임'. 한나래, 서울, pp.107-117
  11. 이규현 (1992) '기호의 정치경제학 비판'. 문학과 지성사, 서울, pp.65-76
  12. 이상률 (1991) '소비의 사회'. 문예 출판사, 서울, pp.68-82, 101-134
  13. 이상률 (1999) '사물의 체계'. 백의, 서울
  14. 이상률 . 양운덕 (1995) '오늘을 위한 프랑스 사상가들'. 청아출판사, 서울, pp.198-206
  15. 이성용 . 유홍준 . 이정환 . 고성호 . 정기선 . 정태인 (1997) '소비의 사회학'. 도서출판그린, 서울, pp.29-47
  16. 이완재 . 최세완 (1995) '한가한 무리들' 동인, 서울. p.146
  17. 최기철 (2003) '럭셔리신드롬, 미래의 창'. 서울, pp215-223
  18. 최종철 (1995) '구별짓기 : 문화와 취향의 사회학'. 새물결, 서울. pp.114-123
  19. Collezioni. Donna, No. 88/89. (2002) Zanfieditori srI
  20. Grossman, G.M. and Shapiro, C. (1988) Counterfeit-product trade. The American Economics Review, 78(3)
  21. Harper's Bazzar. 2004. 08. (주)가야미디어
  22. ltalia Vogue, N. 578/580/625. (2002) EDIZIONI CONDE NAST S.p.A
  23. http://www.burberry.com
  24. http://www.louisvuitton.com