The Subjective Evaluation of Color Image Depending on the Change of Luminous Source

광원 변화에 따른 색의 이미지에 관한 주관적 평가

  • 최나영 (원광대학교 패션디자인학과) ;
  • 이종숙 (배재대학교 의류패션학과)
  • Received : 2006.10.04
  • Published : 2006.12.31

Abstract

In this article I visually assessed the relation between luminous source and color, and analyzed subjective recognition of color by light source and image of color, aiming at giving guidelines in selecting source of light suitable for each purpose, thereby contributing to enhanced quality of life. For this purpose, I subjectized, by applying a quantitative method, the objective measurement that employs sensory evaluation method for 14 categories of color, light and feelings in visual perception of textile colors (blue, green and yellow) by color of light source (color temperature of 2800K, 4200K and 6500K), Followings are the conclusions derived form this study. Colors of textile were differently perceived according to the color of light source. When examining common recognition of textiles in blue, green and yellow, 2800K was said to give dirty, soft and blurred image, as for 4200K clear, wide and fine feelings were said, and pure, vivid, refined and bright image were marked for 6500K. As for 2800K, it got the most low appraisals compared with others. In conclusion, image and feeling of the same colors can differ according to light source, which indicates the importance of appropriate selection of light source for purpose of use. As for yellow, the number of assessment result that shows significant difference was the smallest among the three colors. So, it can be concluded that when we consider the recognition of color in mixing different colors, mixing with yellow can result in difficulty in visually perceiving difference of colors. Therefore, it is regarded that more considerable attention is required when dealing with yellow color.

Keywords

References

  1. 한국표준협회 (2005) 'KS 표면색의 시감비교방법'. 한국표준협회
  2. 天坂 格郎. 長澤 伸也 (2000) '官能評價の基礎と應用', 財團法人 日本規格協會, 東京 pp134-137
  3. 阿部素子. 成瀨言子 (1992) 織物の光原の違いによる色差. 文化女子大學硏究紀要, 23, 173-179
  4. 米田さっき吉田稔 (1999) 照明デサインと官能評價のモデル化. オベル- ションス. リサーチ 11, 8-12
  5. 芦澤昌子 他 (2000) 衣服色の光源色演出にこ必要な局所照明照度. 日本色彩學會誌, 24(supplement), 30-31
  6. 李沅貞. 佐藤昌子 (1999) 布の表面幾何學的構造と光の反射相性. 日本色彩學會誌, 23(2), 68-77
  7. 溝上陽子 他(2000) 照明光の色によって変化する認識視空間の色特性. 日本色彩學會誌, 24(supplement), 28-29
  8. 三浦 新. 和仁晧明. 吉村 功 (1970) '工場における官能検査の進め方'. 株式會社 日科技連社, 東京 pp.143
  9. 中野みちお (1957 )光源による色の變化. 家政誌, 8(6), 235-241
  10. (財)日本色彩硏究所 (1991) 'カラー7テイングの基礎と應用'. 日刊工業新聞社,東京 pp.40-43
  11. 佐藤 信(1978) '官能檢査入門' 株式會社 日科技連社, 東京, pp.63- 69, 129-135
  12. 東京商工會議所 (2000) 'カラーコーディネション'. 東京商工會議所, 東京 pp. 74-75, 80-84
  13. 内山留美 他 (2000) 色知覺による照明認識視空間の構築の検討. 日本色彩學會誌 24(supplement), 26-27
  14. 湯 尻照 (1990) 照度レベルによる表面色の見えの?化 : 刺激サイズの 京鄕, 光學, 19(2), 97-104
  15. Eriksen C.W. (1952) Location of objects in a visual display as a function of the number of dimensions on which the objects differ. J. Exp. Psychol, 44, 56-60 https://doi.org/10.1037/h0058684
  16. Christ R.E. (1975) Review and analysis of color coding research for visual displays. Hum. Factors, 7, 542-570