Journal of Fashion Business (패션비즈니스)

The Korean Society of Fashion Business (한국패션비즈니스학회)
권호 표지
DOI QR코드

DOI QR Code

A Study of Surrealistic Physical Distortion: Focused on Surrealism Formativeness

신체 왜곡패션에 관한 연구: 초현실주의(超現實主義) 조형성을 중심으로

  • Kim, Minji (Dept. of Fashion Design, Hong-ik University) ;
  • Kan, Hosup (Dept. of Textile art & Fashion Design, Hong-ik University)
  • 김민지 (홍익대학교 의상디자인전공) ;
  • 간호섭 (홍익대학교 섬유패션디자인과)
  • Received : 2013.09.12
  • Accepted : 2013.11.15
  • Published : 2013.12.30
Download PDF
⟨ Previous Next ⟩

Abstract

This study aims to analyze the physical distortions of fashion design which appear in the 20th century. People have been expressing the hope and beauty by twisting human body since the beginning of mankind. Each period has been showing different forms according to various social and cultural environments. The exaggerated body distortions from the primitive times to the modern are based on human body proportions. Such distortion is to emphasize the inherent beauty within the human body. However, the distortions of the body after the 20th century have been developed with the advent of surrealism which is not affected by reasons but by imaginations. Generally speaking, the reconstruction of the heterogeneous elements is allowed in art. The unexpected surreal elements are creating formative beauty using by distinctly different technique which is unfamiliar and awkward. Physical distortion creates other beauty that is not uniform and absolute beauty but it pursues the diversity of breaking down into categories. Formativeness of surreal physical distortion fashion has the potential for a variety of clothing design, therefore it has intrinsic values for continuous study.

Keywords

References

  1. Adam, L. (1999). Primitive art. (I. Kim, Trans.). Seoul: Dongmunsun. (Original work published 1949).
  2. Arnheim, R. (1995). Art and visual perception. (C. Kim, Trans.). Seoul: Mijinsa, (Original work published 1965).
  3. Atkins, R. (1994). The concept of modern art pool. (J. Park, Trans.). Seoul: Sigongsa, (Original work published 1993).
  4. Bae, S. (2008). Modern fashion and western cultural history of costume. Seoul: Soohaksa,
  5. Cants, H. (2005). Surrealism. NY: National Academy Museum.
  6. Pattern 100 Fashion designers 10 curators. (2002). London: Phaidon.
  7. Ha, J. (1989). Western art Miro. Seoul: Seomundang.
  8. Han, K. (2009). Fashion design, research and development by the tronphaiyu technique (Unpublished master's thesis). Kookmin University, Seoul, Korea.
  9. Han, S. (1991). 입체조형: 이론과 실제 [Conformal: theory and practice]. Seoul: Mijinsa.
  10. Hong, J. (2008). Postmodern interpretations of the concept of rational (Unpublished master's thesis). Catholic University, Seoul, korea
  11. Hwang, K. (2001). Playful vintage in contemporary fashion (Unpublished master's thesis). Cheju National University, Seoul, korea.
  12. Jung, H. (2006). 서양복식문화사 [Western cultural history of costume]. Seoul: Kyomunsa.
  13. Jung, S. (2003). Surrealist painting in the image study appeared distorted (Unpublished master's thesis). Sookmyung Women's University, Seoul, korea.
  14. Jung, Y.(1999). 달리의 서양 미술 [Dali western art]. Seoul: Maroniebooks.
  15. Kim, E. (2009). Memphis design utilizing the characteristics of modern fashion design studies (Unpublished master's thesis) Hongik University, Seoul, Korea.
  16. Kim, J. [Jungsook]. (1993). The influence of Surrealist art history to modern fashion (Unpublished master's thesis) Cheongju University, Cheongju, Korea.
  17. Kim, J. [Jungmo]. (2010). Painting shown in image distortion and deformation Study (Unpublished master's thesis). Hongik University, Seoul, Korea.
  18. Kim, S. (2010). Surrealism in the 21st century, fashion styling techniques of expression (Unpublished master's thesis). Konkuk University, Seoul, Korea.
  19. Kim, Y. [Youngok], & An, S. (2009). 서양복식문화의 현대적 이해 [Understanding of the modern western costume culture]. Seoul: Kyoungchunsa.
  20. Kim, Y. [Yunmin]. (1991). Plasticity of surrealism in the 21st century study of costume design (Unpublished master's thesis). Hongik University, Seoul, Korea.
  21. Lauer, J. C. & Lauer, R. H. (1981). Fashion power. N.Y: Prentice-Hall, Inc.
  22. Lee, J. (2002). 미술로 보는 20세기 [The 20th century the view of art]. Seoul: Hakgojae.
  23. Lee, S. (1934). 클래식 400 달리 [Classic 400 Dali]. Seoul: Maroniebooks.
  24. Lee, Y. (2009). Second space paradigm expressed in the costume (Unpublished doctoral dissertation). Seoul National University, Seoul, Korea.
  25. Leonhard, A. (1999). Primitive art. (I. Kim, Trans.). Seoul: Dongmunsun. (Original work published 1954).
  26. Ovens, H. (2002). Oxford art dictionary. (Korea Institute of Art Trans.). Seoul: Sigongsa. (Original work published 1994).
  27. Park, Y. (1987). 현대 미술의 반성적 이해 [Reflective understanding of contemporary art]. Seoul: Jipmundang.
  28. So, K. (2007). Study of primitive art. focusing on its impact on forms of expression and pluralism of contemporary art (Unpublished master's thesis). Hongik University, Seoul, Korea.
  29. Staller, N. (2002), A sum of destructions. CT: Yale University Press New Haven & London.
  30. Jason, H. (1991). History of art. NY: A Times Mirror Company.
  31. Yun, M. (2008). 새로운 미술의 이해 [Understanding of the new fine arts]. Seoul: Yegyeong.

Cited by

  1. Surrealistic Make-up Represented in Modern Fashion vol.18, pp.2, 2014, https://doi.org/10.12940/jfb.2014.18.2.42
  2. The Case Study of Design Art Works on Depaysement Technique vol.33, pp.None, 2015, https://doi.org/10.17246/jkdk.2015..33.023
  3. A Study on Fashion Design Applied by Surrealism Works vol.48, pp.None, 2013, https://doi.org/10.21326/ksdt.2015..48.033
  4. A Study on Visual Humor Expression in Fake Technique Fashion vol.21, pp.3, 2013, https://doi.org/10.12940/jfb.2017.21.3.43
  5. Development of Textile Design Applied by Surrealist Techniques (Part 2) vol.23, pp.1, 2018, https://doi.org/10.21326/ksdt.2018.23.1.018
  6. The Expression and Characteristics of Mexican Poncho Costume Appropriated In Modern Fashion -Focus on James O Young's Cultural Appropriating Techniques- vol.23, pp.6, 2013, https://doi.org/10.12940/jfb.2019.23.6.1
  7. 오브제를 활용한 패션 하우스의 런웨이 디스플레이에 관한 연구 vol.24, pp.2, 2013, https://doi.org/10.12940/jfb.2020.24.2.136