Journal of the Korea Convergence Society (한국융합학회논문지)

Korea Convergence Society (한국융합학회)
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Harmonic Compositions and Progressions for Tonal Characteristics Based on Emotion Vocabulary

정서 어휘에 반영된 선율 특성에 적합한 화음 구성과 전개

  • Yi, Soo Yon (Graduate School of Professional Therapy, Gachon University) ;
  • Chong, Hyun Ju (Department of Music Therapy, Graduate School, Ewha Womans University)
  • 이수연 (가천대학교 특수치료대학원 음악치료학과) ;
  • 정현주 (이화여자대학교 대학원 음악치료학과)
  • Received : 2017.08.04
  • Accepted : 2017.09.20
  • Published : 2017.09.28
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Abstract

This study purposed to investigate harmonic compositions and progressions that are appropriate for emotion vocabulary. In study 1, eight(8) professional music therapists were asked to provide harmonic compositions and progressions reflecting the tonal characteristics of emotion vocabulary and the rationales. Various attributes of harmonic compositions and progressions were examined and the content analysis were administered. In study 2, the obtained data on study 1 were evaluated by 124 music therapy and music majors for the validity. In the first study, analyzed results showed that 'happy' vocabulary utilized major, tonic, consecutive chord changes, 'angry' vocabulary utilized minor, augmented, $9^{th}$, $11^{th}$, unsolved $7^{th}$ chord progression, 'sad' vocabulary utilized minor, diminish, chromatic chord progressions. In the second study, there was statistically significant difference with 'happy' vocabulary. These results can provide basic evidences for musical ideas of harmonic compositions and progressions to better communicate emotional aspects of lyrical messages when composing melody in a song.

본 연구의 목적은 정서 어휘에 반영된 선율에 적합한 화음 구성과 전개의 특성을 조사하는 것이다. 이를 위해 연구 1에서는 8명의 음악중재전문가를 대상으로 질문지를 이용하여 정서 어휘의 의미와 선율을 반영하는 화음 구성과 전개를 작곡하고 근거에 대해 서술하게 하였다. 자료 분석은 화음 구성 비율을 백분율로 환산하여 정서 어휘별로 비교하고, 유사한 답변의 내용을 추출하였다. 연구 2에서는 124명의 음악치료와 음악전공자를 대상으로 연구 1의 결과에 따른 정서 어휘별 화음 구성과 전개의 적합성을 조사하고, 타당도의 통계학적 유의성을 검증하였다. 연구 결과, 기쁨의 어휘는 장화음, 주화음, 연속적인 화음 변화, 화남의 어휘는 단화음, 증화음, 9 11화음, 미해결된 7화음의 전개, 슬픔의 어휘는 단화음, 감화음, 반음계 전개의 사용 비율이 높았다. 타당도 검증 결과, 기쁨(97.2), 화남(75), 슬픔(80.6)으로 나타나 기쁨의 어휘에서만 유의성이 높았다(p<.005). 본 연구의 결과는 노래의 선율 창작시 가사가 전달하는 정서적 측면을 효율적으로 표현하기 위한 화음 사용의 근거자료를 제시한다.

Keywords

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