DOI QR코드

DOI QR Code

Analysis of Leigh Bowery's works through Bakhtin's discourse on the grotesque body

바흐친의 그로테스크 몸 담론을 통한 리 보워리의 작품 분석

  • Received : 2018.03.13
  • Accepted : 2018.10.30
  • Published : 2018.12.31

Abstract

The body is an important object of costume expression, and the reflection of the aesthetics of the body according to age, culture, individual or group determines the form of the costume. In particular, British artist Leigh Bowery provided many designers and celebrities with original design ideas. Leigh Bowery's costumes are related to the carnival concept. Thus, this study analyzed Leigh Bowery's life and works, and examined Michael Bakhtin's grotesque carnivalesque theory. Based on Bakhtin's carnival theory around 100 works by Leigh Bowery, in the form of YouTube videos and DVD clips were analyzed in this study. The results of the analysis Leigh Bowery's body and costume research are as follows. First, this study can define fetishism as a characteristic of costumes such as body suits, harnesses, high-heeled boots, and stockings, that stress the body. Second, the character of the body is not expressed as that of an idealized body, but the fat and ugly aspect are revealed. Third, Leigh Bowery's costumes are characterized by ambiguity. The costumes blur the boundaries between women and men. Fourth, common sense, combined with normal and bizarre, brings out a strong sense of carnival humor with ridiculousness arising from the gap between reality and reality. His performance has had a significant impact on victims of discrimination or unequal treatment in sexual, racial, and age-related situations. This study should inspire many designers through the study of Leigh Bowery's body expression and dress, but it also introduces fashion icons that are not well known in Korea.

Keywords

References

  1. Bakhtin, M. M. (2001). L'oeuvre de Francois Rabelais et la culture populaire au Moyen Age et sous la Renaissance [Rabelais and his world] (D. H. Lee, & G. H. Choi, Trans.). Seoul: Acanet. (Original work published 1982)
  2. Bancroft, A. (2012). Leigh Bowery: Queer in fashion, queer in art. Sexualities, 15(1), 68-79. doi:10.1177/1363460711432102
  3. Bunyan, M. (2013, January 27). Exhibition: 'XTRAVAGANZA. Staging Leigh Bowery' at Kunsthalle Wien, Vienna [Blog Post]. Retrieved October 2, 2018, from https://artblart.com/2013/01/27/exhibition-xtravaganza-staging-leigh-bowery-at-kunsthalle-wien-vienna
  4. Casadio, M. (2012, February 6). Leigh Bowery. Vouge, Retrieved October 2, 2018, from https://www.vogue.it/people-are-talking-about/vogue-arts/2012/02/leigh-bowery
  5. Chang, M.-S. (2007). A study of clown makeup coordination's carnivalism. Journal of the Korean Society of Fashion & Beauty, 5(1), 97-111.
  6. Danow, D. K. (1995). The spirit of carnival: Magical realism and the grotesque. Lexington, KY: University Press of Kentucky.
  7. Doyle, K. (2014, July 19). Leigh Bowery. Pictify, Retrieved October 2, 2018, from http://pictify.saatchigallery.com/105453/leigh-bowery
  8. Granata, F. (2013). Deconstruction fashion: Carnival and the grotesque. Journal of Design History, 26(2), 182-198. doi:10.1093/jdh/eps050
  9. Granata, F. (2016). Experimental fashion: Performance art, carnival and the grotesque body. London: I.B.Tauris.
  10. Greer, F. (2005). Leigh Bowery looks. London: Violette Editions.
  11. Healy, R. (2014, June 2). Taboo or not taboo, the fashion of Leigh Bowery. NGV, Retrieved October 2, 2018, from https://www.ngv.vic.gov.au/essay/taboo-or-not-taboo-the-fashions-of-leigh-bowery
  12. Hwang, H. J. (2013). A study on the carnivalesque image and its semantic analysis in modern fashion: Focused on the perspective of Bakhtin's carnival theory. Unpublished doctoral dissertation, Seoul National University, Seoul, Korea.
  13. Jeong, K. S. (2013). The aesthetic values of desire embodied in modern fashion. Journal of Fashion Design, 13(4), 41-59.
  14. Kim, E. Y., & Lee, M. S. (2012). A study on the element of fun in fashion design by Jeremy Scott. Journal of Fashion Design, 12(3), 43-58.
  15. Kim, H.-H. (1998). A study on American feminist video art with emphasis on narcissism and the grotesque. Journal of the Association of Western Art History, 10, 115-136.
  16. Koh, S.-K. (2007). A (feminist) cultural materialistic approach to Shakespeare's plays through Bakhtin's discourse of the grotesque body: Romeo and Juliet, A Midsummer Night's Dream, and Julius Caesar. Shakespeare Review, 43(4), 625-650. https://doi.org/10.17009/shakes.2007.43.4.001
  17. Lee, E. J., & Yang, S. H. (1998). Fetishism. Seoul: Kyungchunsa.
  18. Leigh Bowery. (n.d.). In Wikipedia. Retrived October 2, 2018, from https://en.wikipedia.org/wiki/Leigh_Bowery
  19. Michalik, C. (2012, March 19). About Leigh Bowery in Milan [Blog Post]. Retrieved October 2, 2018, from https://www.wgsn.com/blogs/about-leigh-bowery-in-milan
  20. O'Neil, H. (2018, May). The stitchery give us the big reasons to celebrate Australian club kid Leigh Bowery [Blog Post]. Retrieved October 2, 2018, from http://www.purplesneakers.com.au/2018/05/top-five-leigh-bowery-stitchery
  21. PAPERMAG. (2005, January 12). Leigh Bowery by Boy George. PAPER, Retrieved October 02, 2018, from http://www.papermag.com/leigh-bowery-by-boy-george-1425181672.html
  22. Park, S. H., & Jin, D. Y. (2010). A study on body-object in contemporary art. Journal of Basic Design & Art, 11(6), 261-271.
  23. Shewey, D. (2003). Narcissism. Retrieved October 2, 2018, from http://donshewey.com/2003_zine/narcissism.html
  24. Soares, P. (2010, September 20). Leigh Bowery at Wigstock [Video file]. Retrieved October 2, 2018, from https://www.youtube.com/watch?v=jtZ_cnMsWo4
  25. Tae, H. S. (2002). Body, Bakhtin, Feminism. The Journal of English Language and Literature, 48(1), 79-95.
  26. Thorley, I. (2015, October 1). Rick Owens SS16: The most WTF show ever? With a nod to Leigh Bowery. Something About, Retrieved October 2, 2018, from https://www.somethingaboutmagazine.com/rick-owens-ss16-the-most-wtf-show-ever-with-a-nod-to-leigh-bowery
  27. Tilley, S. (1999). Leigh Bowery: The life and times of an icon. New York: Hodder & Stoughton.
  28. Violette, R., & Bowery, L. (1998). Leigh Bowery. London: Violette Editions.
  29. Yeo, H. S. (1995). 바흐친과 문화 이론 [Bakhtin and culture theory]. Seoul: Moonji Publishing.
  30. Yim, E.-H. (2007). Representation and non-representation of the body in fashion: Based on simulation theory by Jean Baudrillard. The Research Journal of the Costume Culture, 15(4), 604-619. https://doi.org/10.29049/rjcc.2007.15.4.604
  31. Yim, E. H. (2013). Representation of the body in dress and painting: Focusing on the works of Francis Bacon and Rei Kawakubo. Journal of Fashion Business, 17(4), 40-57. doi:10.12940/jfb.2013.17.4.40
  32. Yoo, Y. J., & Choi, J. H. (2017). A study on typical analysis and aesthetic characteristics of jewellery with body restraint reflecting fetishism: Focused on cases since 2000. Journal of Fashion Design, 17(4), 103-119. doi:10.18652/2017.17.4.7
  33. Yoon, Y. J. (2013). Ugliness aesthetics in contemporary fashion: The focus on fashion collection from 2000 to 2012. Unpublished doctoral dissertation, Sungkyunkwan University, Seoul, Korea.
  34. Youh, S.-H. (1995). Le realisme grotesque dans le roman rabelaisien [The grotesque realism in the Rabelaisian novel]. Etudes de Langue et Litterature Francaises, 31(1), 239-254.
  35. Yun, Y., & Yang, S.-H. (2004). A study on the cruel images shown in modern fashion: Focused on Julia Kristeva's theories. Journal of the Korean Society of Costume, 54(1), 83-95.

Cited by

  1. A Study on the Formativeness of Contemporary Fashion Design based on Bakhtin's Carnivalesque vol.70, pp.4, 2018, https://doi.org/10.7233/jksc.2020.70.4.105
  2. 크리티컬 패션의 오브제 전유 전략 vol.23, pp.1, 2021, https://doi.org/10.30751/kfcda.2021.23.1.1