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A Study on Temporary Installation Art in Public Place

공공공간에서의 일시적 설치미술에 대한 연구 및 제언

  • Zheng, zheng (Dept. of Formative Arts Design, Graduate School, Kongju university) ;
  • Chen, juan (Dept. of Formative Arts Design, Graduate School, Kongju university) ;
  • Ro, Hae-sin (Dept. of Formative Arts Design, Graduate School, Kongju university) ;
  • Kim, Won-seok (Dept. of Formative Arts Design, Graduate School, Kongju university)
  • 정정 (공주대학교 일반대학원 조형디자인학과) ;
  • 진연 (공주대학교 일반대학원 조형디자인학과) ;
  • 노혜신 (공주대학교 일반대학원 조형디자인학과) ;
  • 김원석 (공주대학교 일반대학원 조형디자인학과)
  • Received : 2018.10.30
  • Accepted : 2019.01.20
  • Published : 2019.01.28

Abstract

Installation art is another methodology of modern art appeared in 1970's. Installation art does not seek for a particular ideology or specific form to express, but rather it endeavors to produce a work produced by mutiful media convergence and integration. Therefore, this leads to inspire new cognition on ordinary places. Installaton art is strongly related with public art in terms of most works are to be exhibited. Thus from this point of view, installation art contains public art which aims to better communication among people, nature and artificial things. Eventually, temporary installation art contains communication and convergence of people and object in public places.

설치미술은 특정한 이념이나 형식을 고수하지 않으며 다양한 매체를 융 복합적으로 활용하여 설치(installation)하는 작품을 적극적으로 시도한다. 그럼으로써, 결과적으로 일상적인 장소에 대한 새로운 인지를 자극한다. 설치미술은 공간에 설치되는 것인 만큼 설치되는 장소에 따른 공공미술적인 성격도 갖게 된다. 따라서 설치미술은 그 시작부터 대중과의 소통, 사회적 이슈에 대한 행동을 잠재하고 있다. 이러한 설치미술은 가운데는 지속적으로 공간을 점유하지 않는 일시적인 설치미술도 존재한다. 일시적인 설치미술은 영구성에서 벗어남으로써 창작과 소통에 가벼움을 갖는다. 이는 곧 열린 공간에서의 인간과 세계의 소통을 위한 새로운 융 복합적 예술로서 시도할 수 있는 예술 양식으로 고려하고 제언할 수 있다.

Keywords

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Fig. 1. A scene from Ludovico Einaudi,

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Fig. 2. Florentijn Hofman,

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